Devices & Desires - Dalgleish 08 Page 18

  When he reached the powdery sand on the upper reaches of the beach he saw that someone had been here before him; to his left was a double line of naked footprints, the mark of running feet. These, of course, would be Hilary Robarts's. She must, as usual, have taken her nightly swim. Subconsciously he noticed how distinct they were. She must have left the beach nearly an hour and a half ago, yet on this windless night the indentations were as plain in the dry sand as if they had just been made. The path through the trees lay in front of him leading out of moonlight into the enclosing shadows of the pine wood. And the night was suddenly darker. A low blue-black cloud had momentarily covered the moon, its ragged edges silvered with light.

  He switched on his torch and played it over the path. It caught the gleam of something white to his left, a sheet of newspaper, perhaps, a handkerchief, a discarded paper bag. Feeling no more than mild curiosity he stepped from the path to investigate. And then he saw her. Her distorted face seemed to leap up at him and hang suspended in the bright glare of the torchlight like a vision from a nightmare.

  Staring down, and for a moment transfixed, he felt a shock in which incredulity, recognition and horror fused into a second which made his heart leap. She was lying in a shallow depression of flattened marram grass, hardly a hollow but deep enough for the grasses on each verge to shield her body until he was almost on top of her. To her right, and partly beneath her, was a crumpled beach towel, striped in red and blue, and above it, placed precisely side by side, a pair of open sandals and a torch. Beside them, neatly folded, was what looked like a blue and white tracksuit. It must have been the edge of this which had first caught his eye. She lay on her back, the head towards him, the dead eyes upturned as if they had been fixed on him in a last mute appeal. The small bush of hair had been pushed under the upper lip, exposing the teeth, and giving the impression of a snarling rabbit. A single black hair lay across her cheek and he had an almost irresistible impulse to kneel and pluck it away. She was wearing only the bottom half of a black bikini and that had been pulled down over her thighs. He could clearly see where the hair had been sliced away. The letter L precisely in the centre of the forehead looked as if it had been cut with deliberation, the two thin lines precisely at right angles. Between the splayed and flattened breasts with their dark areolas and pointed nipples, milk-white against the brown skin of her arms, rested a key-shaped metal locket on a chain. And as he gazed down, slowly moving the torchlight over her body, the cloud moved from the face of the moon and she lay stretched out before him clearly, the naked limbs pale and bloodless as the bleached sands and as clearly visible as if it were day.

  He was inured to horror; few manifestations of human cruelty, violence or desperation were unfamiliar to his practised eye. He was too sensitive ever to view a violated body with crude indifference but only in one recent case, his last, had this sensitivity caused him more than momentary inconvenience. And with Paul Berowne at least he had been warned. This was the first time he had almost stumbled over a murdered woman. Now, as he looked down on her, his mind analysed the difference between the reaction of an expert summoned to the scene of crime knowing what to expect and this sudden exposure to ultimate violence. He was interested both in the difference and in the detachment which could so coolly analyse it.

  Kneeling, he touched her thigh. It felt icy cold and as synthetic as inflated rubber. If he prodded it the mark of his fingers would surely remain. Gently he ran them through her hair. It was still slightly damp at the roots but the ends were dry. The night was warm for September. He looked at his watch: ten thirty-three. He remembered being told, he couldn't recall when or by whom, that it was her practice to take her nightly swim shortly after nine o'clock. The physical signs confirmed what he thought most likely, that she had been dead for less than two hours.

  He had seen no footprints on the sand but his and hers. But the tide was ebbing; it must have been high at about nine, although the dustiness of the upper reaches of the beach suggested that it didn't reach the hollow where she lay. But the most likely path for the murderer to have taken was the one through the wood which she herself must have used. He would have had the protection of the trees and a place in their shadow where he could watch and wait unseen. The ground with its mat of pine needles on the sand was unlikely to yield footprints but it was important that it shouldn't be disturbed. Moving carefully, he backed away from the body then walked about twenty yards to the south along a ridge of fine shingle. By the light of his torch, half crouching, he tracked his way through the densely planted pine trees, snapping off the brittle lower twigs as he passed. At least he could be certain that no one had recently passed this way. Within minutes he had gained the road; another ten of brisk walking and he would be at the mill. But the nearest telephone would be at Hilary Robarts's cottage. The probability was that the cottage was locked and he had no intention of breaking in. It was almost as important to leave the victim's house undisturbed as it was not to violate the scene of the crime. There had been no handbag beside her body, nothing but the shoes and torch neatly placed at the head of the hollow, the tracksuit and the brightly striped red and blue beach towel on which she partly lay. Perhaps she had left the key at home, the cottage unlocked. On the headland, after dark, few people would worry if they left a cottage unlocked for half an hour. It was worth taking five minutes to look.

  Thyme Cottage, seen from the windows of the mill, had always struck him as the least interesting house on the headland. It faced inland, a square, uncompromising building with a cobbled yard instead of a front garden and picture windows in modern glass which destroyed any period charm it once might have had and made it look like a modern aberration more appropriate to a rural housing estate than to this sea-scarred and remote headland. On three sides the pines grew so closely that they almost touched the walls. He had wondered from time to time why Hilary Robarts should have chosen to live here despite its convenient distance from the power station. After Alice Mair's dinner party he thought he knew why. Now all the lights were blazing in the ground-floor rooms, the large rectangle of the picture window to the left reaching almost to the ground and the smaller square to the right which he thought was probably the kitchen. Normally they would have been a reassuring signal of life, normality and welcome, of a refuge from the atavistic fears of the enclosing wood, the empty moonlit headland. But now those bright, uncurtained windows added to his mounting unease and as he approached the cottage it seemed to him that there floated between him and those bright windows, like a half-developed print, the mental picture of that dead and violated face.

  Someone had been here before him. He vaulted over the low stone wall and saw that the pane of the picture window had been almost completely smashed. Small slivers of glass gleamed like jewels on the cobbled yard. He stood and gazed between the jagged edges of the broken glass into the brightness of the sitting room. The carpet was littered with glass fragments like winking beads of silver light. It was obvious that the force of the blow had come from outside the cottage and he saw at once what had been used. Below him, face upwards on the carpet, was the portrait of Hilary Robarts. It had been slashed almost to the frame with two right-angled cuts forming the letter L.

  He didn't try the door to see if it was unlocked. It was more important not to contaminate the scene than to save ten or fifteen minutes in ringing the police. She was dead. Speed was important, but it was not vital. Regaining the road he set off towards the mill, half running, half walking. And then he heard the noise of a car and, turning, saw the lights coming at him fast from the north. It was Alex Mair's BMW. Dalgliesh stood in the middle of the road and waved his torch. The car slowed and stopped. Looking up to the open right-side window he saw Mair, his face bleached by moonlight, regarding him for a moment with an unsmiling intensity as if this encounter were an assignation.

  Dalgliesh said: 'I'm afraid I have shocking news for you. Hilary Robarts has been murdered. I've just found the body. I need to get to a telephone.'


  The hand lying casually on the wheel tightened then relaxed. The eyes fixed on his grew wary. But when Mair spoke his voice was controlled. Only in that involuntary spasm of the hand had he betrayed emotion. He said: 'The Whistler?'

  'It looks like it.'

  'There's a telephone in the car.'

  Without another word he opened the door, got out and stood silently aside while Dalgliesh spent an irritating two minutes getting through to Rickards's headquarters. Rickards wasn't there but the message given, he rang off. Mair had moved about thirty yards from the car and was staring back at the glitter of the power station as if dissociating himself from the whole procedure.

  Now, walking back, he said: 'We all warned her not to swim alone but she wouldn't listen. But I didn't really believe there was any danger. I suppose all the victims thought that until it was too late. "It can't happen to me." But it can and it does. But it's still extraordinary, almost unbelievable. The second victim from Larksoken. Where is she?'

  'On the fringe of the pines, where she usually swam, I imagine.' As Mair made a move towards the sea, Dalgliesh said: 'There's nothing you can do. I'll go back and wait for the police.'

  'I know there's nothing I can do. I want to see her.'

  'Better not. The fewer people who disturb the scene the better.'

  Suddenly Mair turned on him. 'My God, Dalgliesh, don't you ever stop thinking like a policeman? I said I wanted to see her.'

  Dalgliesh thought, this isn't my case and I can't stop him by force. But at least he could ensure that the direct path to the body lay undisturbed. Without another word he led the way and Mair followed. Why this insistence, he wondered, on seeing the body? To satisfy himself that she was, in fact, dead, the scientist's need to verify and confirm? Or was he trying to exorcize a horror which he knew could be more terrible in imagination than in reality? Or was there, perhaps, a deeper compulsion, the need to pay her the tribute of standing over her body in the quietness and loneliness of the night before the police arrived with all the official paraphernalia of a murder investigation to violate for ever the intimacies they had shared.

  Mair made no comment when Dalgliesh led him to the south of the well-beaten path to the beach and still without speaking followed him as he plunged into the darkness and began tracking his way between the shafts of the pines. The pool of light from his torch shone on the brittle spars snapped by his previous breakthrough, on the carpet of pine needles dusted with sand, on dried pine cones and the glint of an old battered tin. In the darkness the strong resinous smell seemed to intensify and came up to them like a drug, making the air as heavy to breathe as if it were a sultry night in high summer.

  Minutes later they stepped out of stultifying darkness into the white coolness of the beach and saw before them like a curved shield of beaten silver the moonlit splendour of the sea. They stood for a moment side by side, breathing hard as if they had come through some ordeal. Dalgliesh's footprints were still visible in the dry sand above the last ridge of pebbles and they followed them until they stood at the foot of the body.

  Dalgliesh thought, I don't want to be here, not with him, not like this, both of us staring down unrebuked at her nakedness. It seemed to him that all his perceptions were preternaturally sharpened in this cold, debilitating light. The blanched limbs, the aureole of dark hair, the gaudy red and blue of the beach towel, the clumps of marram grass, all had the one-dimensional clarity of a colour print. This necessary guard on the body until the police could arrive would have been perfectly tolerable; he was used to the undemanding companionship of the recently dead. But with Mair at his side he felt like a voyeur. It was this revulsion, rather than delicacy, which made him move a little apart and stand looking into the darkness of the pines while remaining aware of every slight move and breath of the tall, rigid figure looking down at her with the concentrated attention of a surgeon.

  Then Mair said: 'That locket round her neck, I gave it to her on August the twenty-ninth for her birthday. It's just the right size to hold her Yale key. One of the metal workers in the workshop at Larksoken made it for me. It's remarkable the delicacy of the work they do there.'

  Dalgliesh was not inexperienced in the various manifestations of shock. He said nothing. Mair's voice was suddenly harsh.

  'For God's sake, Dalgliesh, can't we cover her up?'

  With what? thought Dalgliesh. Does he expect me to jerk the towel from under her? He said: 'No, I'm sorry. We mustn't disturb her.'

  'But it's the Whistler's work. Dear God, man, it's obvious. You said so yourself.'

  'The Whistler is a murderer like any other. He brings something to the scene and leaves something behind him. That something could be evidence. He's a man, not a force of nature.'

  'When will the police arrive?'

  'They shouldn't be long. I wasn't able to speak to Rickards but they'll be in touch with him. I'll wait if you want to leave. There's nothing you can do here.'

  'I can stay until they take her away.'

  'That might mean a long wait unless they're able to get the pathologist quickly.'

  Then I'll have a long wait.'

  Without another word he turned and walked down to the edge of the sea, his footprints parallel with Dalgliesh's own. Dalgliesh moved down to the shingle and sat there, his arms round his knees, and watched while the tall figure paced endlessly, backwards and forwards, along the fringes of the tide. Whatever evidence he had on his shoes, it wouldn't be there now. But the thought was ridiculous. No murderer had ever left his imprint more clearly on a victim than had the Whistler. Why then did he feel this unease, the sense that it was less straightforward than it seemed?

  He wriggled his heels and buttocks more comfortably into the shingle and prepared to wait. The cold moonlight, the constant falling of the waves and the sense of that stiffening body behind him induced a gentle melancholy, a contemplation of mortality including his own. Timor mortis conturbat me. He thought: in youth we take egregious risks because death has no reality for us. Youth goes caparisoned in immortality. It fs only in middle age that we are shadowed by the awareness of the transitoriness of life. And the fear of death, however irrational, was surely natural whether one thought of it as annihilation or as a rite of passage. Every cell in the body was programmed for life; all healthy creatures clung to life until their last breath. How hard to accept, and yet how comforting, was the gradual realization that the universal enemy might come at last as a friend. Perhaps this was part of the attraction of his job, that the process of detection dignified the individual death, even the death of the least attractive, the most unworthy, mirroring in its excessive interest in clues and motives man's perennial fascination with the mystery of his mortality, providing, too, a comforting illusion of a moral universe in which innocence could be avenged, right vindicated, order restored. But nothing was restored, certainly not life, and the only justice vindicated was the uncertain justice of men. The job certainly had a fascination for him which went beyond its intellectual challenge, or the excuse it gave for his rigorously enforced privacy. But now he had inherited enough money to make it redundant. Was this what his aunt had intended by that uncompromising will? Was she in fact saying, here is enough money to make any job other than poetry unnecessary? Isn't it time that you made a choice?

  It wasn't his case. It would never be his case. But by force of habit he timed the arrival of the police and it was thirty-five minutes before his ears caught the first rustle of movement in the pine wood. They were coming the way he had directed and they were making a great deal of noise about it. It was Rickards who appeared first with a younger but stolidly built man at his shoulders and four heavily laden officers in a straggle behind them. It seemed to Dalgliesh, rising to meet them, that they were immense, huge moon men, their features square and blanched in this alien light, bearing with them their bulky and polluting paraphernalia. Rickards nodded but didn't speak other than briefly to introduce his sergeant, Stuart Oliphant.

  Together they approached t
he body and stood looking down at what had been Hilary Robarts. Rickards was breathing heavily, as if he had been running, and it seemed to Dalgliesh that there emanated from him a powerful surge of energy and excitement. Oliphant and the four other officers dumped their equipment and stood silently, a little apart. Dalgliesh had a sense that they were all actors in a film, waiting for the director to give the command to shoot, or that a voice would suddenly shout 'cut' and the little group would break up, the victim stretch herself and sit up and begin rubbing her arms and legs and complaining of stiffness and the cold.