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  P. D. JAMES IS

  “the greatest living mystery writer” (People)

  Just recovered from a grave illness, Commander Adam Dalgliesh receives a call for advice from the elderly chaplain at Toynton Grange, an isolated nursing home on the coast of England. But by the time Dalgliesh arrives, it is only to discover that his friend Father Baddeley has mysteriously died, as has one of the patients.

  When the bodies begin to pile up, Dalgliesh once again finds his own life at risk as he determines to get to the truth behind his friend’s death and unmask the terrible evil at the heart of Toynton Grange.

  “The ability to haunt has earned P. D. James the title ‘queen of crime.’ Long may she reign.”

  —CHICAGO SUN-TIMES

  “Any ranking of today’s best crime writers would surely put Britain’s P. D. James at or near the top.”

  —THE SAN DIEGO UNION-TRIBUNE

  P. D. JAMES is the author of twenty books, most of which have been filmed for television. Before her retirement in 1979, she served in the forensics and criminal justice departments of Great Britain’s Home Office, and she has been a magistrate and a governor of the BBC. The recipient of many prizes and honors, she was created Baroness James of Holland Park in 1991. In 2000, she celebrated her eightieth birthday and published her autobiography, Time to Be in Earnest.

  MEET THE AUTHOR, WATCH VIDEOS AND MORE AT

  SimonandSchuter.com

  THE SOURCE FOR READING GROUPS

  COVER DESIGN BY CHRISTOPHER LIN

  COVER PHOTOGRAPH © JUPITERIMAGES

  Praise for The Black Tower

  “A masterpiece.”

  —The London Sunday Times

  “Intriguing, suspenseful, full of strange twists … you’ll love this one!”

  —Nashville Banner

  “In the heroic tradition of Agatha Christie.”

  —Times Literary Supplement

  Praise for P. D. James

  “Mystery writers often deploy stereotypes in similar ways—but not P. D. James. She gives her people fully rounded life, never sacrificing character to plot, and makes deft fun of conversation.”

  —Newsweek

  “Ms. James is simply a wonderful writer.”

  —The New York Times Book Review

  “If we’re lucky, there will always be an England and there will always be a P. D. James.”

  —Cosmopolitan

  “One reads a P. D. James novel in something like the spirit that one reads a novel by Zola, Balzac, Thackeray, or Dickens.”

  —The Christian Science Monitor

  “James delivers the pace and tensions of a mystery yarn better than any other living writer.”

  —People

  “P. D. James … writes the most lethal, erudite, people-complex novels of murder and detection since Michael Innes first began and Dorothy Sayers left us.”

  —Vogue

  “The best practitioner of the mystery novel writing today.”

  —The Boston Globe

  ALSO BY P. D. JAMES

  The Private Patient

  The Lighthouse

  The Murder Room

  Death in Holy Orders

  Time to Be in Earnest: A Fragment of Autobiography

  A Certain Justice

  Original Sin

  The Children of Men

  Devices and Desires

  A Taste for Death

  The Skull Beneath the Skin

  Innocent Blood

  Death of an Expert Witness

  An Unsuitable Job for a Woman

  The Maul and the Pear Tree:

  The Ratcliffe Highway Murders, 1811 (with T. A. Critchley)

  Shroud for a Nightingale

  Unnatural Causes

  Cover Her Face

  A Mind to Murder

  TOUCHSTONE

  A Division of Simon & Schuster, Inc.

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  New York, NY 10020

  www.SimonandSchuster.com

  This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

  Copyright © 1975 by P. D. James

  All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Touchstone Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

  This Touchstone trade paperback edition 2001

  TOUCHSTONE and colophon are registered trademarks of Simon & Schuster, Inc.

  DESIGNED BY ERICH HOBBING

  The Library of Congress has cataloged the Scribner Paperback Fiction edition as follows:

  James, P. D.

  The black tower / P. D. James. —1st Scribner Paperback Fiction ed.

  p. cm.

  1. Dalgliesh, Adam (Fictitious character)—Fiction. 2. Police—England—Fiction. 3. Dorset (England)—Fiction. I. Title.

  PR6060.A467 B5 2001

  823'.914—dc21 2001032262

  ISBN-13: 978-0-7432-1961-7

  ISBN-10: 0-7432-1961-9

  ISBN-13: 978-1-45169-780-3 (eBook)

  Note: Lovers of Dorset will, I hope, forgive me for the liberties I have taken with the topography of their beautiful county and in particular for my temerity in erecting my twin follies of Toynton Grange and the black tower on the Purbeck coast. They will learn with relief that, although the scenery is borrowed, the characters are completely my own and bear no resemblance to any person living or dead.

  Contents

  Chapter One: Sentence of Life

  Chapter Two: Death of a Priest

  Chapter Three: A Stranger for the Night

  Chapter Four: The Dreadful Shore

  Chapter Five: Act of Malice

  Chapter Six: A Bloodless Murder

  Chapter Seven: Mist on the Headland

  Chapter Eight: The Black Tower

  Touchstone Reading Group Guide

  About the Author

  The Black Tower

  CHAPTER ONE

  Sentence of Life

  IT WAS TO BE the consultant physician’s last visit and Dalgliesh suspected that neither of them regretted it, arrogance and patronage on one side and weakness, gratitude and dependence on the other being no foundation for a satisfactory adult relationship however transitory. He came into Dalgliesh’s small hospital room preceded by Sister, attended by his acolytes, already dressed for the fashionable wedding which he was to grace as a guest later that morning. He could have been the bridegroom except that he sported a red rose instead of the customary carnation. Both he and the flower looked as if they had been brought and burnished to a peak of artificial perfection, gift wrapped in invisible foil, and immune to the chance winds, frosts and ungentle fingers which could mar more vulnerable perfections. As a final touch, he and the flower had both been lightly sprayed with an expensive scent, presumably an aftershave lotion. Dalgliesh could detect it above the hospital smell of cabbage and ether to which his nose had become so inured during the past weeks that it now hardly registered on the senses. The attendant medical students grouped themselves round the bed. With their long hair and short white coats they looked like a gaggle of slightly disreputable bridesmaids.

  Dalgliesh was stripped by Sister’s skilled impersonal hands for yet another examination. The stethoscope moved, a cold di
sc, over his chest and back. This last examination was a formality but the physician was, as always, thorough; nothing he did was perfunctory. If, on this occasion, his original diagnosis had been wrong his self-esteem was too secure for him to feel the need for more than a token excuse. He straightened up and said:

  “We’ve had the most recent path. report and I think we can be certain now that we’ve got it right. The cytology was always obscure, of course, and the diagnosis was complicated by the pneumonia. But it isn’t acute leukaemia, it isn’t any type of leukaemia. What you’re recovering from—happily—is an atypical mononucleosis. I congratulate you, Commander. You had us worried.”

  “I had you interested; you had me worried. When can I leave here?”

  The great man laughed and smiled at his retinue, inviting them to share his indulgence at yet one more example of the ingratitude of convalescence. Dalgliesh said quickly:

  “I expect you’ll be wanting the bed.”

  “We always want more beds than we can get. But there’s no great hurry. You’ve a long way to go yet. Still, we’ll see. We’ll see.”

  When they had left him he lay flat on his back and let his eyes range round the two cubic feet of anaesthetized space, as if seeing the room for the first time. The wash basin with its elbow-operated taps; the neat functional bedside table with its covered water jug; the two vinyl-covered visitors’ chairs; the earphones curled above his head; the window curtains with their inoffensive flowered pattern, the lowest denominator of taste. They were the last objects he had expected to see in life. It had seemed a meagre, impersonal place in which to die. Like a hotel room, it was designed for transients. Whether its occupants left on their own feet or sheeted on a mortuary trolley, they left nothing behind them, not even the memory of their fear, suffering and hope.

  The sentence of death had been communicated, as he suspected such sentences usually were, by grave looks, a certain false heartiness, whispered consultations, a superfluity of clinical tests, and, until he had insisted, a reluctance to pronounce a diagnosis or prognosis. The sentence of life, pronounced with less sophistry when the worst days of his illness were over, had certainly produced the greater outrage. It was, he had thought, uncommonly inconsiderate if not negligent of his doctors to reconcile him so thoroughly to death and then change their minds. It was embarrassing now to recall with what little regret he had let slip his pleasures and preoccupations, the imminence of loss revealing them for what they were, at best only a solace, at worst a trivial squandering of time and energy. Now he had to lay hold of them again and believe that they were important, at least to himself. He doubted whether he would ever again believe them important to other people. No doubt, with returning strength, all that would look after itself. The physical life would re-assert itself given time. He would reconcile himself to living since there was no alternative and, this perverse fit of resentment and accidie conveniently put down to weakness, would come to believe that he had had a lucky escape. His colleagues, relieved of embarrassment, would congratulate him. Now that death had replaced sex as the great unmentionable it had acquired its own pudency; to die when you had not yet become a nuisance and before your friends could reasonably raise the ritual chant of “happy release” was in the worst of taste.

  But, at present, he wasn’t sure that he could reconcile himself to his job. Resigned as he had become to the role of spectator—and soon not even to be that—he felt ill-equipped to return to the noisy playground of the world and, if it had to be, was minded to find for himself a less violent corner of it. It wasn’t something he had thought about deeply during his periods of consciousness; there hadn’t been time. It was more a conviction than a decision. The time had come to change direction. Judges’ Rules, rigor mortis, interrogation, the contemplation of decomposing flesh and smashed bone, the whole bloody business of manhunting, he was finished with it. There were other things to do with his time. He wasn’t yet sure which things but he would find them. He had over two weeks of convalescence ahead, time to formulate decision, rationalize it, justify it to himself and, more difficult, find the words with which he would attempt to justify it to the Commissioner. It was a bad time to leave the Yard. They would see it as desertion. But then, it would always be a bad time.

  He wasn’t sure whether this disenchantment with his job was caused solely by his illness, the salutory reminder of inevitable death, or whether it was the symptom of a more fundamental malaise, that latitude in middle-life of alternate doldrums and uncertain winds when one realizes that hopes deferred are no longer realizable, that ports not visited will now never be seen, that this journey and others before it may have been a mistake, that one has no longer even confidence in charts and compass. More than his job now seemed to him trivial and unsatisfactory. Lying sleepless as so many patients must have done before him in that bleak impersonal room, watching the headlamps of passing cars sweep across the ceiling, listening to the secretive and muted noises of the hospital’s nocturnal life, he took the dispiriting inventory of his life. His grief for his dead wife, so genuine, so heart-breaking at the time—how conveniently personal tragedy had excused him from further emotional involvement. His love affairs, like the one which at present spasmodically occupied a little of his time and somewhat more of his energy, had been detached, civilized, agreeable, undemanding. It was understood that his time was never completely his own but that his heart most certainly was. The women were liberated. They had interesting jobs, agreeable flats, they were adept at settling for what they could get. Certainly they were liberated from the messy clogging, disruptive emotions which embroiled other female lives. What, he wondered, had those carefully spaced encounters, both participants groomed for pleasure like a couple of sleek cats, to do with love, with untidy bedrooms, unwashed dishes, babies’ nappies, the warm, close, claustrophobic life of marriage and commitment. His bereavement, his job, his poetry, all had been used to justify self-sufficiency. His women had been more amenable to the claims of his poetry than of his dead wife. They had small regard for sentiment, but an exaggerated respect for art. And the worst of it—or perhaps the best—was that he couldn’t now change even if he wanted and that none of it mattered. It was absolutely of no importance. In the last fifteen years he hadn’t deliberately hurt a single human being. It struck him now that nothing more damning could be said about anyone.

  Well, if none of that could be changed, his job could. But first there was one personal commitment to fulfill, one from which perversely he had been relieved that death would so conveniently excuse him. It wasn’t going to excuse him now. Propping himself on his elbow he reached out and took Father Baddeley’s letter from his locker drawer and read it carefully for the first time. The old man must be nearly eighty now; he hadn’t been young when, thirty years ago, he had first come to the Norfolk village as curate to Dalgliesh’s father, timid, ineffective, maddeningly inefficient, muddled in everything but the essentials, but never less than his uncompromising self. This was only the third letter which Dalgliesh had received from him. It was dated 11th September and was addressed from; Toynton

  My dear Adam,

  I know that you must be very busy but I would very much welcome a visit from you as there is a matter on which I would be glad of your professional advice. It isn’t really urgent, except that my heart seems to be wearing out before the rest of me so that I ought not to rest too confidently on the thought of tomorrow. I am here every day, but perhaps a weekend would suit you best. I ought to tell you so that you will know what to expect, that I am Chaplain to Toynton Grange, a private home for the young disabled, and that I live here in Hope Cottage on the estate through the kindness of the Warden, Wilfred Anstey. Usually I eat my midday and evening meal at the Grange but this may not be agreeable to you and it would, of course, lessen our time together. So I shall take the opportunity of my next visit to Wareham to lay in a store of provisions. I have a small spare room in to which I can move so that there will be a room for you here.

&
nbsp; Could you send me a card to let me know when you will arrive? I have no car but if you come by train William Deakin, who has a car hire service about five minutes from the station (the station staff will direct you), is very reliable and not expensive. The buses from Wareham are infrequent and don’t come beyond Toynton Village. There is then a mile and a half to walk which is quite pleasant if the weather is good but which you may wish to avoid at the end of a long journey. If not, I have drawn a map on the back of this letter.

  The map could be guaranteed to confuse anyone accustomed to depend on the orthodox publications of the National Survey rather than on early seventeenth-century charts. The wavy lines presumably represented the sea. Dalgliesh felt the omission of a spouting whale. The Toynton bus station was clearly marked, but the tremulous line thereafter meandered uncertainly past a diversity of fields, gates, pubs and copses of triangular, serrated firs, sometimes retreating upon itself as Father Baddeley realized that metaphorically he had lost his way. One tiny phallic symbol on the coast, and seemingly included as a landmark, since it was nowhere near the marked path, bore the legend “the black tower”.

  The map affected Dalgliesh much as a child’s first drawing might affect an indulgent father. He wondered to what depth of weakness and apathy he must have sunk to reject its appeal. He fumbled in the drawer for a postcard and wrote briefly that he would arrive by car early in the afternoon of Monday 1st October. That should give him plenty of time to get out of hospital and return to his Queenhythe flat for the first few days of convalescence. He signed the card with his initials only, stamped it for first-class delivery and propped it against his water jug so that he shouldn’t forget to ask one of the nurses to post it.

  There was one other small obligation and one he felt less competent to handle. But it could wait. He must see or write to Cordelia Gray and thank her for her flowers. He didn’t know how she discovered that he was ill except perhaps through police friends. Running Bernie Pryde’s Detective Agency—if it hadn’t by now collapsed as it should have done by all the laws of justice and economics—probably meant that she was in touch with one or two policemen. He believed too, that there had been a casual mention of his inconvenient illness in the London evening papers when they had commented on recent losses in the higher echelons of the Yard.